Patron Request: ‘Taipei Story’

Taipei Story is the first film I’ve seen from Edward Yang. It’s also one of the ones I hear about least often. This is probably down to its lack of availability in America until very recently, but I don’t think that’s the only reason. Discussion of Yang’s filmography is dominated by his meaty, massive epics: Continue reading Patron Request: ‘Taipei Story’

Patron Request: ‘Blow Out’

I first watched Blow Out only a day or two after Elliot Rodger murdered 6 people and injured 14 more in the name of misogynist aggrievement. His manifesto and YouTube channel contained lengthy screeds against, among other things, women as a whole. He blamed women for his loneliness and isolation, citing his inability to enter Continue reading Patron Request: ‘Blow Out’

Patron Request: ‘In This Corner of the World’

My patrons know me well. I knew nothing about In This Corner of the World going in, and I was delighted to discover that it’s something akin to an animated Nobuhiko Obayashi film. Besides the obvious medium-mixing creating stylistic parallels, its primary concerns — of the rough transition from wartime Japan to peacetime and the impact of Continue reading Patron Request: ‘In This Corner of the World’

Patron Request: ‘The Outsiders’

My associations with S.E. Hinton’s novel The Outsiders are entirely filtered through my memory of middle school English classes, which is to say that those associations aren’t entirely positive. You don’t need me to tell you that the way American public schools teach you how to approach art is, at best, misguided. I remember the Continue reading Patron Request: ‘The Outsiders’

Let’s Talk About The Gay Stuff in ‘It Chapter Two’

This article contains spoilers for It Chapter Two as well as the preceding film and the original novel. Like the Stephen King novel on which it’s based, It Chapter Two opens with a hate crime. Adrian Mellon (here played terribly by former director of note Xavier Dolan) kisses his boyfriend at a Derry carnival, and Continue reading Let’s Talk About The Gay Stuff in ‘It Chapter Two’

Patron Request: ‘Cameraperson’

It always rankles a little when someone draws a direct comparison between film (particularly documentary film) and memory. Memory is by its nature mutable and fluid. It changes with time, reshaped by its attached emotional context. Film, on the other hand, is static. While it can never be fully objective, its images cannot change once Continue reading Patron Request: ‘Cameraperson’