Patron Request: ‘Cameraperson’

It always rankles a little when someone draws a direct comparison between film (particularly documentary film) and memory. Memory is by its nature mutable and fluid. It changes with time, reshaped by its attached emotional context. Film, on the other hand, is static. While it can never be fully objective, its images cannot change once Continue reading Patron Request: ‘Cameraperson’

Patron Request: ‘Chimes at Midnight’

Was there ever a better match between artist and character than Orson Welles and John Falstaff? Both of them portly men of good humor, who delighted in life and friendship, beloved by those around them even when their prodding goes too far, boisterous and charming and ever engaging in trickery and falsehoods. It’s almost as Continue reading Patron Request: ‘Chimes at Midnight’

Patron Request: ‘Synecdoche, New York’

Of Synecdoche, New York, Roger Ebert said, “Think about it a little and, my god, it’s about you. Whoever you are.” You used to hear this sentiment often on films with characters like Caden Cotard, straight white guys tragically beset with unplaceable ennui and dread and extremely placeable horniness. Characters like this are treated as Continue reading Patron Request: ‘Synecdoche, New York’

Patron Request: ‘The Terminator’

It’s weird to get twenty minutes into what you believe to be a rewatch and realize, “Wait, I’ve never seen this movie before.” It’s existed in your head for so long as this false memory, and now you’re discovering what it actually is for the first time. The idea of The Terminator I’d been carrying Continue reading Patron Request: ‘The Terminator’