Reviews and articles from Esther Rosenfield
Ah, straight romance. The bedrock of so many art forms. Speaking as a big-time queer, I sometimes have to swallow my bile and appreciate a film like Romancing in Thin Air for what it is rather than, let’s say, what I’d prefer it to be. This is an undeniably sweet movie, with the tenderest of … Continue reading Patron Request: ‘Romancing in Thin Air’
About halfway through Mysterious Skin, the nervy, tender Brian Lackey (who believes himself the victim of alien abduction as a child) meets fellow abductee Avalyn. Avalyn tells Brian that for abductees like them, everything they do and think and feel is informed by that experience. It all comes down to that one moment of victimization. … Continue reading Ko-Fi Request: ‘Mysterious Skin’
There’s something so charming about a stoner comedy done right, and something equally insufferable about a stoner comedy done wrong. It’s a fine line to walk, mostly because being stoned out of your gourd is always a more interesting experience when you’re the one having it. A lot of stoner films fail to capture that … Continue reading Patron Request: ‘Smiley Face’
The other day, preeminent trans film critic Willow Maclay wrote a great piece regarding a definitional understanding of trans cinema. In it, she argues that what makes the growing trans cinema canon so exciting is that there is no hard and fast definition — what we call trans films resonate with trans people on an individual level, … Continue reading Patron Request: ‘Personal Shopper’
I’ve long been a fan of the Assassin’s Creed games. I say “long” in lieu of the longer explanation of how I fell in and out of love with the series, and then back in again, and the exact points at which those relationship shifts happened. Suffice to say: I loved the early games, took … Continue reading Patron Request: ‘Assassin’s Creed’
Anyone who knows me knows that I love the John Wick movies a whole lot. That love is informed by a lot of things, not least among them the series’ knotty plotting and labyrinthine world-building. When an action scene happens to John Wick, it’s for a plethora of increasingly convoluted reasons. I think that’s fantastic. … Continue reading Patron Request: ‘The Legend of Drunken Master’
It’s hard to find the right word to describe what Elisabeth Moss is doing in Her Smell. The one that keeps coming to mind is “dangerous.” Not because it’s the role is a daring risk in terms of her career or image, far from it. It’s in the performance itself. It is so unhinged, so … Continue reading Patron Request: ‘Her Smell’
Life is short. There are only so many movies you can fit into your schedule before your synapses stop firing. So I tend to have little patience for movies that make me feel as miserable as Good Time. Each successive scene presents a new object of distress, every development a new anxiety. Nothing good happens … Continue reading Patron Request: ‘Good Time’
Have you ever seen a movie with a climactic moment so perfectly thrilling, so explosive in its joyous energy, so precisely timed for maximum emotional release, that the rest of the thing almost doesn’t even matter? If you haven’t, I’m sorry, because it’s just the best feeling in the world when a movie gets it … Continue reading Patron Request: ‘Linda Linda Linda’
Queer movies of the 80s and 90s always have a tinge of apocalyptic dread to them. The mainstreaming of the gay rights movement meant the rise of a far more vocal opposition in the form of religious conservatism, and the AIDS crisis threatened nothing less than our extinction. The films of this era tend to … Continue reading Patron Request: ‘Muscle’
